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Course Content - Early cinema - British cinema - Film Noir - Censorship - Auteurs - Theory

 

Early cinema - Course Content - British cinema - Film Noir - Censorship - Auteurs - Theory

• Early cinema - The Silent Era: how films were made and the effect of cinema on audiences

British cinema - Course Content - Early cinema - -Film Noir - Auteurs - Theory - Censorship

• British cinema: from austerity to prosperity, problems with the British film industry

Film Noir - Censorship - Course Content - Early cinema - British cinema - Auteurs - Theory

• Film Noir (1): how film noir is different from other films, studies in lighting, editing, and film structure (The Maltese Falcon, Crossfire...)

• Film Noir (2): women in Film Noir - women and power studies of the new woman of film (Gilda, Sunset Boulevard)

Censorship - Auteurs - Theory - Course Content - Early cinema - British cinema - Film Noir

• Censorship: The Hays Code and its effect on cinema, Modern day standards of censorship, Cinema and its effects on society (A Streetcar Named Désire, Apocalypse Now)

Auteurs - Course Content - Early cinema - British cinema - Film Noir - Censorship - Theory

• Auteurs: Hitchcock, Spielberg, Scorcese, and Hawks (films, techniques, and careers)

Theory - Course Content - Early cinema - British cinema - Film Noir - Censorship - Auteurs

• Theory: Realism, Montage, Narrative, Editing
• Animation and Special Effects
• Criticism, appreciation, and analysis

Course Content - Early cinema - British cinema - Film Noir - Auteurs - Theory - English and Film Studies - Top of the page - Links